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| 07|01|2008 |
Ryan Scott Fitzgibbon
There are three methods to decode Dolby Pro Logic II– encoded audio using a hardware-based workflow: with Holophone D-CODE; with an A/V receiver that has a built-in Dolby Pro Logic II... »
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| 06|01|2008 |
Michael Phillips
MetaCheater lets you select one or more QuickTime movies, and through a variety of settings, you can work with any number of workflows, depending on the metadata extracted. It’s a great way, for example, to work with QuickTime files associated with a RED Camera workflow, as I explained in my previous tutorial in the April issue.... »
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| 06|01|2008 |
Ray Brooksby
Grass Valley recently updated the MediaEdge video distribution system to support delivery of mixed media content. Video, still graphics, scrolling text, animated Flash, and HTML can now be combined on a single display. I’ll show you how you can use MediaEdge to publish digital signage using the new Display Content Manager, or DCM.... »
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| 04|01|2008 |
I’ll show you how to make QuickTimes through RED ALERT!, RED’s image-processing utility that lets you load REDCODE RAW footage, adjust image exposure and color correction settings, and render out to 4K or 2K resolution DPX and TIFF file formats.... »
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| 03|01|2008 |
There are three ways to move footage from the Sony PMW-EX1 camcorder to Final Cut Pro. Deciding which method to use depends on your equipment and desired file format.... »
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| 02|01|2008 |
Gary M. Davis
Any type of moving media can take advantage of these effects— not just CGI. Autodesk Toxik has a tool called "Motio" that can pre-calculate and optionally cache the motion estimation of pixel velocity on any type of footage, including that shot from real-world analog and digital motion picture cameras.... »
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| 11|01|2007 |
Sean Safreed
For years, we’ve seen sophisticated title treatments for spots, trailers, teasers and more created with Adobe After Effects and plug-in tools from Trapcode. ... »
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| 10|01|2007 |
In this tutorial, you’ll learn how to simulate the opening of a videoconference by customizing a preset found in FXFactory Pro. A fully functional 15-day trial version of FxFactory is available for download... »
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| 09|01|2007 |
Steven Wise
We are now seeing a proliferation of non-tape-based media, which is profoundly changing the way we edit video. In this tutorial we look at how Grass Valley EDIUS handles two such types of media — Panasonic’s P2 and Sony’s XDCAM HD... »
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| 08|01|2007 |
Peter McAuley
This tutorial shows how to use the Pan and Zoom filter in the new Boris Continuum Complete (BCC) 5.0 release, which is designed to simplify documentary style pan and zoom techniques.... »
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