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| 11|23|2009 |
Boris Yamnitsky
Shorten your compositing time with a filter that combines chroma key, spill suppression, matte choker and a light wrap compositing step under the hood.... »
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| 08|01|2009 |
Sean Safreed
Using ToonIt is a snap, and version 2 has a nicely reorganized set of controls. ToonIt 2 features new controls for natural media right inside the plug-in, with styles such as Airbrush and Gouache paint, and new outline styles such as scratchboard.... »
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| 06|01|2009 |
Peter McAuley
Boris Continuum Complete gives you four filters— BCC Deinterlace, BCC Match Grain, BCC Film Process, and BCC Film Damage—that can create the illusion that your clips originated on film as opposed to tape. The BCC Deinterlace filter can simulate telecine and reverse telecine, which is where video clips at their native rate are slowed down to 24 fps, the native frame rate for film.... »
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| 04|01|2009 |
Step 1 Load and Render a Model While this approach is applicable to any geometry object, in this example I use a Lamborghini model downloaded from www.turbosquid.com . First, delete any existing animation of... »
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| 03|01|2009 |
Step 1 Launch FCP and Import a Clip Start by launching Final Cut Pro , and import a clip. We’re using the Artbeats stock clip "lake.mov." Scrub the clip to familiarize yourself with the motion that... »
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| 01|01|2009 |
The RED Importer plug-in for Adobe products provides full native support of RED raw files (R3D) including the ability to work with RED media at resolutions from 256 up to 4K. RED files can be imported directly into Adobe Premiere Pro or Adobe After Effects. You can choose from a variety of frame rates, aspect ratios and resolutions and have your choice of using the media on Adobe products on the Mac or Windows.... »
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| 12|01|2008 |
DCG FacePro v1.0, aimed at both the novice and experienced mocap user, is a customizable facial motion-capture plug-in designed for the Vicon BLADE system.... »
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| 11|01|2008 |
Gavin Haverstick
Step 1 Choose Your Room Location Location, location, location...Choosing the right location for your editing suite is arguably the single most important decision you will make and making the right decision... »
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| 07|01|2008 |
Ryan Scott Fitzgibbon
There are three methods to decode Dolby Pro Logic II– encoded audio using a hardware-based workflow: with Holophone D-CODE; with an A/V receiver that has a built-in Dolby Pro Logic II... »
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| 06|01|2008 |
Michael Phillips
MetaCheater lets you select one or more QuickTime movies, and through a variety of settings, you can work with any number of workflows, depending on the metadata extracted. It’s a great way, for example, to work with QuickTime files associated with a RED Camera workflow, as I explained in my previous tutorial in the April issue.... »
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