• One of the best things a camera-top light can do is to put a little dot of light (technically, a "specular") into the eyes of your subject. It always helps make your subject look more attractive on camera. But don’t overdo it— washing out all the shadow areas on a face makes it look two-dimensional.

  • You can buy adapter arms from photo stores that will get the sungun off the direct center of the camera, and help reduce the "flat-light" effect.




06|01|08 Litepanels Micro
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10|01|06 Daz Carrara 5 Pro
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04|01|06 Miranda HD-Bridge DecXC






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Litepanels Micro

I’ve never been much of a "sungun guy." Most halogen camera-mount lights are blunt instruments at best— the equivalent of shining headlights into the eyes of a deer at night, and hard on batteries to boot. And mounting a light directly on the center axis of the camera can create a boring, flat look. So while sunguns can certainly be useful, I’d never called them "indispensable."



A little company called Litepanels changed all that a few years back. They may not have been the absolute first to use light-emitting diodes in a camera-mount fixture, but they sure went a long way toward making them into a useful tool. Their original 25-watt on-camera kits included a long-life, rechargeable lithium battery and a shoe-mount multi-jointed arm that could finally get the light off the center axis of the lens, and maybe allow some shadow and modeling instead of the unflattering flat light that is the signature of the sungun. Of course, they also came with a financially stunning, $1,000-plus price tag.

Micromanagement

No matter how cool the light is, a thousand bucks for one is still a stretch for many of us. Litepanels heard the call, and came out with the Micro, which sells on the street for about $300. The Micro is a much smaller and lighter package, with 48 dimmable daylight-balanced LEDs laid out in an 8 x6 array. This is a much more 4:3 aspect ratio than the aggressively widescreen format its big brothers feature. Replacing the lithium battery are four AA batteries, a welcome move away from proprietary battery packs (how refreshing to be able to run into just about any store to recharge in a pinch.)

On the other hand, a lot of what I like in the original Litepanels rig is absent here, I assume due to the much lower price. First of all, the multi-joint arm is gone, replaced with a plastic shoe-mount that allows the Micro to tilt fore and aft, but nowhere else. Once again, the sungun is stuck back in the middle of the camera axis, and the light is back to being flat. Also, the case, mount and almost everything else is made of a fairly flimsy grade of plastic, which I can easily imagine snapping off when the Micro takes some of the bumps that road work requires— and worse, it doesn’t seem that any damage would be repairable. Even flimsier than the shoe-mount is a gel frame that flips up from the front of the light. If being incredibly fragile wasn’t trouble enough, the tabs that are supposed to hold diffusion and color-correction filters in place are tiny, and can hardly keep the diffusion in place. (Of course, this is what gaffers tape was invented for, right?) You’ll be glad that frame is there, though (as long as it lasts) because the unfiltered LEDs glare horribly, and would be sure to torture anyone subjected to them for longer than absolutely necessary. Three gels are included, one diffusion frost and a two different densities of Sun-80, to color-correct to tungsten. Be nice to your subjects— keep the frost on at all times!

Some Light Testing

My tests with fresh Duracells at full brightness gave me about a 2-hour useful run. Using a Sekonic light meter set five feet from the Micro, I initially measured 12 footcandles without the diffusion and 6.5 footcandles with it. The batteries held up pretty well for the first 60 minutes, and faded quickly in the second hour. Of course, if landfilling AA batteries willy-nilly makes your ecological conscience cringe, you could easily use rechargeable nickel-metal hydride AAs in the Micro. Finally, during my tests the Micro emitted a low but audible buzzing that would drive my audio operators up the wall, something I hope isn’t common in the product.

I’m surprising myself here, because despite its considerable issues, I still regard the Micro as a worthy piece of production gear— as long as you don’t mount it on top of a camera. With the addition of a few strips of self-stick Velcro on the back, this would be an outstanding choice for a small, inconspicuous stick-up light. However, unless you are in a position to baby the Micro, the potential for damage is just too high for me to recommend it wholeheartedly for its designed use.


Those 48 daylight-balanced LEDs can get pretty glaring. Use the brightness knob (upper right) to adjust them to a reasonable level.

Those 48 daylight-balanced LEDs can get pretty glaring. Use the brightness knob (upper right) to adjust them to a reasonable level.

When mounted in a camera shoe, the Micro is in a very vulnerable position. Protect it from bumps at all costs, because when the plastic mounting arm gets broken, it will be near-impossible to repair.

When mounted in a camera shoe, the Micro is in a very vulnerable position. Protect it from bumps at all costs, because when the plastic mounting arm gets broken, it will be near-impossible to repair.


Comments (6) for "Litepanels Micro"
1.
Bruce,
As one of the managing partners of Litepanels, I like to see the different responses our products get in reviews or straight up on a blog. I think that a person such as yourself taking your own personal time to review and discuss a product with the public is an incredible showing of unselfishness for one's time and a great interest in teaching. Thanks .
I wanted to make mention about the articulating arm option. As I hope that you have noticed, or possibly not; the bottom of the hot shot mount on our LP Micro has a 1/4-20 threading to allow the use of the articulating arm. This will give you the freedom to get the light off center if the interest is there.
About the audible buzz, we have not had one return or request to replace a unit due to any noticeable buzz. With that in mind, if your unit is buzzing, it is an issue that should be resolved immediately. Please send it back to our office's attention Pat Grosswendt, and I will see to it that the unit is replaced and returned to you at no charge whatsoever. Please let me know if I can be only any further help, and I look forward to your next review of another great product.
Best Wishes.
Pat Grosswendt
Managing Partner
Litepanels
Posted by pat grosswendt on Wednesday, June 4, 2008 @ 10:01 PM
2.
Pat, thanks for your thoughtful reply. I indeed did not notice the threaded socket on the bottom of the shoe, but in my opinion that would be half an answer at best, since the plastic parts between the shoe and the light itself are so lightweight that I can't imagine them not breaking in short order (especially if you hang the entire weight of the LP Micro off the center of the shoe and hinge.) And, as I mentioned in the review, any damage would not likely be repairable.

Please don't consider my criticisms of the LP Micro to be a slap at Litepanels overall. You folks have done some revolutionary stuff over tthe last few years, and I'm a user. I just seems to me that the LP Micro doesn't measure up to the well-deserved reputation for quality you have earned in the last few years.

BAJ
Posted by Bruce A. Johnson on Thursday, June 5, 2008 @ 06:32 PM
3.
Bruce,
First off, I do appreciate your criticism as it is honest and unabashed.
I will concede that the plastic seems unworthy of past and current metal housings of our other products, including the oldest: the Ringlite Cinema which is and always has been plastic. But we decided on plastic for the Micro to reduce weight and cost. The weight of the unit in plastic instead of a metal is approximately 30%. That extra weight piles on when you add a metal hot-shoe. The replacement of a broken housing or hot-shoe mount is inexpensive and do-able.
I would love to offer you an option, which is to place the unit at the end of an arm and try it. If it breaks, I'll replace it.
I want to offer a way to try to dispel the fact that plastic means cheap. All the components of the Micro are recyclable. From the housing down to the electronics. And no mercury as well. Give the test a try, and let me know.
All the best,
Pat
Posted by pat grosswendt on Friday, June 6, 2008 @ 10:15 AM
4.
Great interchange. Hooray for Bruce Johnson, Pat Grosswendt, Studio monthly and Litepanels company for being frank and upfront with readers. This is informative stuff, not corporate press release fluff. And it's not just about a single product - you can tell that Litepanels is an A-1 enterprise.
Posted by Al Godoy on Friday, June 6, 2008 @ 10:54 AM
5.
Here Here!
Congrats to Mr Grosswendt for the challenge to the reviewer and standing behind his product. That is refreshing and a sign of quality in my mind. We have new product placement division to our company in Hollywood North aka Vancouver BC and work extensively on action films and series. We are talking about camera and lighting gear in this review, but as a comparison: some some \"hardcore\" brands wont even let us use equipment or vehicles in action scenes as some are afraid of breakage or scrutiny under hard operation - basically to stand behind the product! So we are talking potentially fragile lights and electronics here and the managing partner says \"Try it, take it to the limit! Excellent! Good for him, and good for Lightpanels!\" I know what brand to use for the next stunt for the behind the scenes sci-fi show now!
Posted by JJ on Thursday, July 3, 2008 @ 03:50 AM
6.
Thanks JJ. We truely believe in pushing things to the limit. That's why we were the first. Again, thanks again to Bruce for giving us a chance to speak.
Posted by Pat Grosswendt on Friday, August 15, 2008 @ 08:58 PM

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