The 10 Best Backstage Oscar Soundbites
Feb 29, 2016
After Academy Award-winners hear their names called and trek up to the stage to receive their statuettes, they meet...
Sound Mixers Frank Montaño and Jon Taylor on The Revenant
Feb 24, 2016
"We were just making a lot of noise down in the theater," Frankie Montaño says via speakerphone on the...
Shot on 35: Why Film Matters for Son of Saul
Feb 25, 2016
The harrowing Son of Saul, a drama that covers a day-and-a-half in the life of Saul Ausländer, a Hungarian Jew being...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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ILM VFX Supe Patrick Tubach on Star Wars: The Force Awakens
Feb 22, 2016
To say that director J. J. Abrams’ film Star Wars: Episode VII — The Force Awakens is a success...
VFX Supervisor Richard McBride on The Revenant
Feb 19, 2016
Writer-director-producer Alejandro González Iñárritu’s intense survival film The Revenant has been nominated for 12 Oscars. Among those in contention are Leonardo DiCaprio,...
VFX Supervisor Andrew Whitehurst on Ex Machina
Feb 17, 2016
First-time director Alex Garland’s quiet, low-budget sci-fi drama Ex Machina received Oscar nominations for visual effects and Garland’s screenplay, five BAFTA...
VFX Supervisor Tom Wood on Mad Max: Fury Road
Feb 12, 2016
George Miller’s post-apocalyptic desert adventure Mad Max: Fury Road captivated audiences and critics with its exhilarating, relentless action and deranged visuals....
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Who Deserves the 2016 Oscar for Best Picture?
Feb 12, 2016
Video essayist Kevin B. Lee makes his case in the Academy Award race for director Adam McKay's The Big...
