Oscar-Winning VFX Supervisor John Nelson on Blade Runner 2049
Feb 20, 2018
John Nelson’s visual effects Oscar nomination for Blade Runner 2049 is his fourth overall. In February, he received BAFTA’s...
VFX Supervisor Stephen Rosenbaum on Kong: Skull Island
Feb 15, 2018
The Visual Effects Oscar nomination for Kong: Skull Island is senior visual effects supervisor and second unit director Stephen...
VFX Supervisor Ben Morris on Star Wars: The Last Jedi
Feb 16, 2018
Oscar and BAFTA nominee Ben Morris, creative director of Industrial Light & Magic’s London Studio, was the overall visual...
Filming Down Under: The Life and Times of an Offloading App
Jan 4, 2019
Gavin Rawlings is the co-founder, director of photography and editor at Venture Films in Australia. He entered the industry...
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Oscar-Nominated VFX Supervisor Christopher Townsend on Guardians of the Galaxy Vol. 2
Feb 13, 2018
Oscar nominee Christopher Townsend was the overall visual effects supervisor for Marvel’s Guardians of the Galaxy, Vol. 2. This...
VFX for a Better, Brighter Future in Fox’s The Orville
Feb 9, 2018
The Orville presents a marked departure from creator Seth MacFarlane’s usual fare. While never short on his trademark irreverent...
Technicolor Opens VFX Studio Mill Film in Adelaide, Australia
Feb 6, 2018
Technicolor announced its newest expansion in the Asia Pacific market with the establishment of Mill Film, a new VFX...
Rodeo FX Expands to Europe with New Studio in Munich
Nov 27, 2017
Montreal, Quebec-based VFX house Rodeo FX said it is opening an office in Munich, Germany, giving the company its...
Connecting Acquisition Workflows
Oct 1, 2018
Imagine Products opened its doors in 1991 and in those 27 years there has been a sea of change...
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VFX Supervisor Charley Henley on updating Aliens for Alien: Covenant
Jun 1, 2017
When he first sat down with director Ridley Scott to discuss planning visual effects for Alien: Covenant, VFX supervisor Charley...
