World War Seven on Mini's 3D Monster-Truck Spot
Mar 24, 2011
If you want big branding, you want to see your spot on the big screen. And if you really...
Pamela Martin on Cutting The Fighter
Feb 25, 2011
In 1994, Pamela Martin edited director David O. Russell's first film, Spanking the Monkey, which was also her first...
The Ties that Bind the GUIs-and Your Workflow-in Autodesk's 2012 Software Lineup
Mar 8, 2011
At a press event in Montreal in February, Autodesk announced its suite of 2012 animation, modeling and finishing software...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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HPA Tech Retreat: 3D TV is a Dud
Feb 24, 2011
Perhaps one of the most surprising conclusions of the assembly of approximately 500 production and post experts was that...
ILM VFX Supervisor Ben Snow on Iron Man 2
Feb 24, 2011
The visual effects Oscar nomination for Iron Man 2 is Ben Snow’s fourth. He previously received nominations for Iron...
Multiplying Soldiers in Final Cut and After Effects
Feb 23, 2011
Historical recreations are expensive. That's why director Robert Child determined that he would shoot footage for The Wereth 11...
VFX Supervisor Ken Ralston on Alice in Wonderland
Feb 21, 2011
Including this year's Oscar nomination for best visual effects in Alice in Wonderland, Sony Pictures Imageworks' Ken Ralston has...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Q&A: Film Editor David Tedeschi on George Harrison: Living in the Material World
Feb 20, 2011
The latest collaboration between Tedeschi and Scorsese is George Harrison: Living in the Material World. Here, Tedeschi talks about...
