New Company, Led By VFX Supervisor Mark Forker, Will Focus On Visual Effects/Post Services for Independent Filmmaking Community
"With independent films a big issue is always the post budget," added Carballada. "In DIVE we have developed a model to provide independent filmmakers a level of finishing that in the past was unattainable. They also face many difficult creative choices when it comes to visual effects and finishing. With Mark they have a resource they can turn to that can provide studio level picture expertise."
Fresh from a twelve year run at Digital Domain, the seminal visual effects company founded by James Cameron and Stan Winston, Forker has contributed his talents as a digital compositor and visual effects supervisor to such films as Apollo 13, Titanic, Cinderella Man, Lord of the Rings: Fellowship of the Ring, Charlie and the Chocolate Factory, Star Trek: Nemesis and most recently in the theaters, the kid superhero comedy Zoom. Despite his high-profile credits, however, Forker admits to being excited about working with independent filmmakers and smaller projects in general.
"Increasingly, I've found that some of the most satisfying jobs I've worked on were smaller in scale," Forker explained. "Independent filmmakers tend to spend more time working on the creative and often need someone with experience to help them realize their vision from the post side of things. When Ray told me that several independent filmmakers had already approached him, I was immediately interested in being a part of it."
Forker noted that geographical location no longer holds the same professional importance it once did. A transplanted New Yorker, Forker moved to Los Angeles when that city was the center of the film world, a perception that he says has now markedly changed.
"In the last five years, I've worked on productions all over the world and actually very few in Los Angeles," said Forker. "These days the film world is expanding to include filmmakers from all over the globe. Production happens everywhere and during post, files can be uploaded and downloaded to accommodate the location of the director or the effects artists. There are great filmmakers living all over the world and we're going to reach out to the whole community."
For Forker, the decision to relocate to Philadelphia was carefully considered, but one that was made easier as he came to know the capabilities of Shooters and the vision they have for the future.
"I've known Ray Carballada for many years," Forker said, "and I've watched Shooters grow steadily into the impressive company they are today. Knowing what I know, it was a complete no-brainer for me to come aboard. They are creative risk-takers but they always have their clients' best interests at heart. They'll step out onto limbs to make things work and usually succeed. I'm happy to be a part of what they're building. This is a big move for my family and me but it's something we all wanted to do. Plus, we're looking forward to experiencing all four seasons again."

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