Editor Lisa Bromwell on Cutting The Surrogate
Jan 27, 2012
The Surrogate was shot on the Red One MX and edited on a software-only Avid Media Composer system by...
StudioDaily's Top 10 Stories of the Year
Dec 28, 2011
2011 was a big year for new products and Apple and Canon certainly hogged the spotlight with their...
Director Frederick Wiseman on Burlesque Doc Crazy Horse
Jan 18, 2012
Wiseman may be best known as a pioneer of the cinema và©rità© school of documentary, which minimizes the director's...
DJI’s New Mavic Mini Is a 249-Gram Ultralight Drone With a 30-Minute Flight Time, 2.7K Video & More
Nov 7, 2019
To help you reach new heights and in order to make your drone flying smaller, lighter, safer, and better,...
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Editing Extremely Loud and Incredibly Close
Dec 22, 2011
Extremely Loud and Incredibly Close deals with one of the most fraught subjects that can be tackled by a...
MTI Film Employs JPEG2000 over IP for TNT's Dallas
Oct 13, 2011
For dailies screenings and color-correction on TNT's Dallas, a relaunch of the classic TV franchise that's slated to debut...
In Defense of Final Cut Pro X
Jul 22, 2011
Still frustrated by the introduction of Final Cut Pro X? Baffled by the trackless timeline? Flummoxed by the lack...
Cutting Transformers 3‘s Metal Mayhem in 3D
Jul 7, 2011
Editors on a Transformers movie use the script and previsualizations as starting points, then build the picture scene by...
ShotPut Pro integrates with Frame.io
Oct 24, 2019
The most recent release of ShotPut Pro 2019.3, integrates with the popular cloud-based collaboration platform Frame.io. ”Imagine Products’ integration with...
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Should You Upgrade to Final Cut Pro X?
Jun 24, 2011
You've no doubt been reading a lot about Final Cut Pro X. So have I. On Thursday I met...
