Q&A : Christie Exec Don Shaw Talks Disney Deal and What’s Next in Theaters

Christie last week announced that it had entered an agreement to provide digital cinema technology to The Walt Disney Studios, including professional services relating to production, post-production, screening rooms, and premieres. Under the terms of the deal, the companies are expected to put...

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Q&A : Five Questions: Kevin Fulda, President, Rabbit Hole Creative

Based in Nashville, TN, Rabbit Hole Creative prides itself on a prodigious combination of creative thinking and technical chops. Its blend of expertise allows it to mount impressive spectacles for entertainment and corporate clients using...

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Product Reviews

630_mocha
Review: Mocha Pro 4.0 and Mocha Plus 4.0

Motion-tracking is an increasingly important part of the editorial toolkit. If your workload is anything like mine, I'm sure you've had to...

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630_blackmagic-camera-4k
Review: Blackmagic Production Camera 4K

Coming from the world of ENG/EFP, I was excited to finally get my hands on a 4K digital cinema camera that was made for motion pictures — not...

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630_filmconvert
Review: FilmConvert Pro

Ever since the introduction of the modern video camera, many digital filmmakers have been striving for that elusive “film look.” As digital...

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Tutorials


Autodesk Maya 2015: Bifrost Procedural Effects Platform

After Effects: Detail-Preserving Upscale

After Effects: Fancy Write On Effect

AE Tuts+: How to Modify Render Elements to Resemble Lens Flares

Video Tutorial: How to Set Up an ACES Workflow in Assimilate Scratch

In this nine-minute video tutorial, Graham Austin of South Africa's DI Film Company, an editorial, grading, and on-set DI services facility in South Africa, shows you how to set up Assimilate Scratch to take advantage of the Academy Color Encoding System (ACES). Specifically, you'll learn how Scratch's monitoring preferences let you set the output device transform (ODT) for any given clip in...