Eva Paryzka introduces James Mathers to the new Optimo Style line of zoom lenses as well as some wider anamorphics coming in time for NAB 2015.
Apr 18, 2018
I suppose puppet-making often begins just by gathering stuff — materials that I find attractive, like wood and sticks...
Apr 17, 2018
Not much going on here — no music, no slo-mo, no speed ramps and no fancy motion graphics. Just...
Apr 16, 2018
Director-editor Najeeb Tarazi, a former Pixar TD, sayys his multi-frame approach to this music video for Supergrass singer and guitarist Gaz...
Apr 13, 2018
The Newport Beach Film Festival might have gone a little over the top with this intense sci-fi short that ends...
Apr 18, 2018
I suppose puppet-making often begins just by gathering stuff — materials that I find attractive, like wood and sticks...
Apr 17, 2018
Not much going on here — no music, no slo-mo, no speed ramps and no fancy motion graphics. Just...
Apr 16, 2018
Director-editor Najeeb Tarazi, a former Pixar TD, sayys his multi-frame approach to this music video for Supergrass singer and guitarist Gaz...
Apr 13, 2018
The Newport Beach Film Festival might have gone a little over the top with this intense sci-fi short that ends...
Apr 8, 2018
Are you one of the increasingly few people left on planet Earth who hasn’t seen the video for the...
Apr 6, 2018
Cap your week with this lavishly orchestrated version of Ennio Morricone’s music for The Good, the Bad and the Ugly as...
Apr 5, 2018
Oh yes — this nine-minute assembly of camera-test footage from Phantom Thread, with explanatory audio commentary by writer-director (and uncredited...
Apr 4, 2018
Filmmaker Zia Anger ( I Remember Nothing) directed this music video for Beach House, shot in beautiful monochrome and full...
Apr 3, 2018
Interdisciplinary artist Maria Ferreira seems to channel the abstract animation style of Stan Brakhage through the voluminous imagery distributed...
