The RED Digital Cinema tent is much bigger this year and the crowds are enormous!
In the midst of the stampede to get to the RED booth at 9:am, I had the chance to sit down with Ted Schilowitz of RED and get the lowdown on the other RED “scoops” not covered in my RED @ NAB, Part 1 article…and they are eye-openers indeed:
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you're link to mammoth hd is nice, but they're a little misleading. in the Red 4K gallery are some reallynice pictures. But if you read the small print, the pics were taken with a digital still camera, not the Red System. So why post them there?
Posted by Marc on Monday, April 16, 2007 @ 08:37 PM
2.
I shoot a feature with high school students every year. This camera is very close to our budget capabilities. I wait with baited breath!
Posted by James Mclellan on Tuesday, April 17, 2007 @ 06:20 PM
3.
Marc: the DSLR stills are simply there as spaceholders, as noted in the text. I shot most of them and they're representative of some of the styles of stock footage that I will shoot with RED One when I get my cameras. RED One is a CMOS sensor camera with technology very similar to the CMOS sensor DSLR those photos were shot with, thus those photos are every representative of similar still frame values of frames from RED One. That's why they are posted there. You would prefer a plain page with text to one with CMOS DSLR stills representing a similar look of RED frames?
Posted by Steve Gibby on Wednesday, April 18, 2007 @ 11:10 PM