Related Content



















More on Sony's New DV-Compatible HDV Camcorder and Deck
HDV and Then Some
Bright Demonstrates Workflow Efficiency Benefits at Broadcast Asia 2009
Kodak Introduces New Motion Picture Film in Latest Technology Platform
Avid Adds Support for XDCAM, Red, and 3D


04|19|09 Panasonic Bows New Low-Priced 'E Series' P2 Cards
07|02|09 FUTURE MEDIA CONCEPTS Opens New Training Facility in Boston
07|02|09 LaCie Breaks New Ground with Their Biggest Storage Solutions
07|01|09 Co-Producer Bryan Carroll on the Tech Behind Public Enemies
07|01|09 Five Questions with...creative director/Flame artist Dirk Greene, Absolute Post






Film Post Production manager - Emerson College - Boston, MA Emerson College
Video Production Managers - SBGLOBAL SOLUTIONS - San Jose, CA SBGLOBAL SOLUTIONS
Production Assistant-SNY - Comcast Sports Group - New York, NY Comcast Sports Group
Production Designer - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc.
Art Director - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc.
Director - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc.
Producer - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc.
Video Producer - GE Energy - New York, NY GE Energy


Expert Training on After Effects, Final Cut Pro, Avid Media Composer, Premiere Pro, Autodesk Maya, 3ds max, Softimage, Mudbox ReelFlow, Boris, Lightwave, Flash, Trapcode Form and Particular, Sony XDCAM and much more! All DVDs are 10% off!

Bookmark and Share

Sony On Its New HVR-V1U CMOS Design, and Why MPEG-2 Isn't Going Away

Post your comments below

Yes, the new HVR-V1U camcorder is Sony’s first 24p Handycam-style HDV offering, and it only costs $4800. Whether you’re a DIY filmmaker or you’re just in need of a high-quality but relatively disposable camera to grab risky footage, that’s good news. But at a press event last week launching the V1U, Sony shared some more technical news that revealed a little bit more about its small-format acquisition strategy. Here’s a look at Sony’s new CMOS technology and an explanation of why you won’t see Sony pro cameras using AVC compression any time soon.


Access to the last 90 days of content is always free. Paid subscribers can access older stories as part of their membership.

* Already a member? Sign in.











Bookmark and Share

Post a Comment

Name:
Email:
Comments:

Please enter the letters or numbers you see in the image.
Your message will be reviewed before it is posted

Subscribe to StudioDaily Podcast


        brand new  
  Studio/monthly magazine   store   rich media tutorials  
 
Dailyfilm.tv

Dailyfilm.tv is a high-definition viral video site dedicated to serious filmmakers.Become a member now, get your own personal profile page and start watching, commenting, voting, networking and uploading your films.

   
video tutorials

All New Video Tutorials.. Avid, Final Cut- RED camera tutorials, Imagineer mogul, Trapcode Form, Apple Motion and many more tutorials on editing, VFX, animation.

 
           
    STUDIO DAILY © 2009 Access Intelligence LLC. All Rights Reserved.



Related Content