Category Archives: VFX/Animation

877 articles found

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2D Tracking: What to Do When You Need It Yesterday

Nice Hat Productions (Atlanta, GA) had two weeks to create four two-minute vignettes highlighting a prototype cell phone. Captured with a handheld camera, the four vignettes depict an intricate choreography more »

Scaling Workflow From TV to 2K

What does a young visual effects studio specializing in episodic television and commercials do when offered the effects lead on a feature film? "We had to grow up," says Zoic Studios co-founder Loni more »

Q&A: Creative Director John Gross

John Gross Co-president/creative director, Eden FX, Hollywood, CA Current Project: CG creature effects for NBC's Surface F&V: So, what's Surface about? Gross: It's pretty much about things more »

Autodesk Combustion 4

The more I work with Combustion 4, the harder it is to review. It just does so many things, so well, and I have such little space. In simple terms, Combustion 4 is Autodesk's way of bringing you top drawer more »

In-Your-Face Animation

Eschewing subtlety, a technology preview by Avid Technology's Softimage division at July's SIGGRAPH conference in LA offered an "in-your-face" demonstation of its new facial animation technology more »

How to Tease The Da Vinci Code

How do you effectively promote an upcoming blockbuster without a single frame of footage? You might do it with a clever combination of miniature shooting, motion capture and 3D animation. West Hollywood's more »

Where It’s At: Beck Unfolds

Beck's video "Girl" is one of those puzzles that prompts a pro to ask "How did they do that, anyway?" The challenge was to illustrate the singer's darkly inflected but light-sounding more »

Forget the Director, Hire the VFX Guy

When NetZero decided to create a campaign to push its next-generation connectivity, its in-house creative team came up with a concept: A man in a futuristic white room sits at a desk with a computer, out of more »

Playing It Safe with CG Cars

For a NASCAR sequence in a recent Ford spot, lensed by director Jaume (Collet-Serra) out of production company Believe, KromA took on the job of creating photoreal cars that would be indistinguishable from more »

Stalking the Wild HD Beast

HD spots are still rare animals- uncommon enough that Bausch & Lomb decided to make an HD finish a selling point for contact lenses. "See your world in High Definition" is the tag line for a more »

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