Finishing the (DI) Game Digital Intermediate on this Sundance Film Creates a ’70s Grind-House Look
Sundance is perhaps the most dynamic of independent film shows and certainly the biggest. From the start of the indie movement, what filmmakers have had in common at Sundance are projects long on passion and short on budget. Strapped resources have usually meant a lean palette of options for filmmakers where compromises occur from shooting to postproduction.
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After the digital intermediate (left) and before (top).
Before the DI (above), and after (below).
Ken Locsmandi, DI colorist at Filmworksfx, used Assimilate Scratch to bring down hot areas and reveal more detail in a number of shots
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