A Critical Look at Digital Painting

The Look: Hip-hop video meets Gatorade commercial
So the critics don't like Tony Scott's new movie much. Doesn't matter. Forget the storyline, which has something to do with bounty hunters, health care, and Jerry Springer. Pure images are drama enough ‘ Domino is about its own turquoise-colored glow, broken up by the greens of skin tones, the amber desert earth, and the orange color of a dying Koi. Sit close enough to the screen and watch the film grain itself freeze and stutter back to life as images move backward and forward, jogging and shuttling their way through the coolest magic lantern any boy could care to own. From the abstracted dreamscape of the opening sequence to the super-saturated coda, colors themselves are the characters in the most aggressive DI yet, supervised by Stefan Sonnenfeld at Company 3. Do you actually like the way it looks? That doesn't matter, either. It's the end of cinema as we know it ‘ and the beginning.