Director Michael Mann is well-known as a perfectionist, so it’s not surprising that when he started planning the shoot for Collateral, he opted to use fairly new HD camera systems, the only technology that would allow him to translate the images in his head onto the big screen. That artistic decision necessitated radically new technical approaches in post-production.
Access to the last 90 days of content is always free. Paid subscribers can access older stories as part of their membership.
Post your comments below
