Sweet Super 16 A-list Cinematographers Say the Emulsion’s Never Looked So Good, Here’s Why...
Big advances in emulsion, lens, camera and digital intermediate technology are making Super 16 a more tempting option for cinematographers shooting on tight budgets. It’s the nuance that the DI process pulls out of the improved emulsion that’s caught their golden eyes. They can move quickly and cover scenes with multiple cameras, sometimes with just touches of fill light coming from handheld lamps and bounce boards, and still flawlessly match lighting in shots from different angles in the DI suite.
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Left to right: cinematographer Haskell Wexler, director John Sayles and crew member Doug O’Kane shoot Silver City .
location in Colorado.
Vilmos Zsigmond, ASC
Haskell Wexler, ASC
Paul Ryan, ASC
Lauren Ambrose appears with John Savage in Admissions , shot in Super 16 by cinematographer Paul Ryan.
Paul Ryan, ASC.
Kees Van Oostrum, ASC
Actor Vincent Perez stars in Frankenstein ,
shot by cinematographer Daniel Pearl, ASC.
Daniel Pearl, ASC
Actors Sophia Bush and Chad Michael Murray and the crew on the set of One Tree Hill shot by cinematographer Billy Dickson.
Ferne Pearlstein featured Yokozuna Akebono (the
first non-Japanese Grand Champion) in Sumo East and West along with an amateur team’s workout.
Billy Dickson, ASC
Ferne Pearlstein
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