A quantum leap in 3D content production and stereographic post-production from a tapeless workflow, resulted in a successful 3D test shoot and screening on Saturday, September 1st . Producers Steve Gibby and Kenneth Corben of GibCor, teamed up with their 3D production partners Max Penner and Tim Thomas at Paradise FX to produce one of the first stereo 3D shoots originating with RED 4K cameras.
(PHOTO: Max Penner seen adjusting the Red 4K 3D Paracam. Photo Copyright Steve Gibby)
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When I first heard of the specs relating to the almighty "Red One", I foresaw the potential of a matched pair producing S3D, via a dual stream file to a pair of the new Sony 4K Cannons, with high speed active shutters, and full 10,000 ANSI Lumens image brightness retained. I only have dual 4000 Ansi DLP Projectors in my project development theatre, using passive polarizers, but the HD dual stream input via HDMI cables from a server is fairly spectacular.
Australia might be a long way from the bright lights, but we are very active in developmental imaging research.
Ross S
IDR
Australia
Posted by Ross Stokell on Saturday, February 2, 2008 @ 06:52 AM
2.
We are looking ahead and anticipate great leaps foreward in the 3d production of quality motion pictures.
Posted by Townsend Media on Wednesday, August 20, 2008 @ 02:49 PM
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