Related Content



















Sony PMW-EX1
Silicon Imaging SI-1920HDVR
Panasonic Beefs Up P2 HD Line, Cuts SD Prices
Panasonic Announces Their Expanded P2 DVCPRO HD Line With Full Bandwidth HD Quality For Broadcasters
Panasonic AG-HVX200 DVCPRO HD P2 Camcorder


04|19|09 Panasonic Bows New Low-Priced 'E Series' P2 Cards
07|02|09 FUTURE MEDIA CONCEPTS Opens New Training Facility in Boston
07|02|09 LaCie Breaks New Ground with Their Biggest Storage Solutions
07|01|09 Co-Producer Bryan Carroll on the Tech Behind Public Enemies
07|01|09 Five Questions with...creative director/Flame artist Dirk Greene, Absolute Post






Film Post Production manager - Emerson College - Boston, MA Emerson College
Video Production Managers - SBGLOBAL SOLUTIONS - San Jose, CA SBGLOBAL SOLUTIONS
Production Assistant-SNY - Comcast Sports Group - New York, NY Comcast Sports Group
Production Designer - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc.
Art Director - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc.
Director - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc.
Producer - Rainmaker Entertainment Inc. - Vancouver, Canada Rainmaker Entertainment Inc.
Video Producer - GE Energy - New York, NY GE Energy


Expert Training on After Effects, Final Cut Pro, Avid Media Composer, Premiere Pro, Autodesk Maya, 3ds max, Softimage, Mudbox ReelFlow, Boris, Lightwave, Flash, Trapcode Form and Particular, Sony XDCAM and much more! All DVDs are 10% off!

Sony’s Next High-End CineAlta Will Support Variable Frame Rates

Sony brought a surprise guest to NAB this year – an engineering prototype of a new RGB 4:4:4 multi-frame-rate camera. Addressing the long-standing complaints from film cinematographers about the look and feel of Sony’s high-end HDCAMs, the company has started from scratch with a new CineAlta design that resembles a 35mm film camera, but the differences go beyond the cosmetic. This camera will shoot 1080p video at from 1 fps to 30 fps in 4:4:4 mode and up to 60 fps in 4:2:2 mode (a limitation officials say owes to the lack of a suitable interface to pull that much data off the camera that quickly).


Access to the last 90 days of content is always free. Paid subscribers can access older stories as part of their membership.

* Already a member? Sign in.










Bookmark and Share

Post a Comment

Name:
Email:
Comments:

Please enter the letters or numbers you see in the image.
Your message will be reviewed before it is posted

Subscribe to StudioDaily Podcast


        brand new  
  Studio/monthly magazine   store   rich media tutorials  
 
Dailyfilm.tv

Dailyfilm.tv is a high-definition viral video site dedicated to serious filmmakers.Become a member now, get your own personal profile page and start watching, commenting, voting, networking and uploading your films.

   
video tutorials

All New Video Tutorials.. Avid, Final Cut- RED camera tutorials, Imagineer mogul, Trapcode Form, Apple Motion and many more tutorials on editing, VFX, animation.

 
           
    STUDIO DAILY © 2009 Access Intelligence LLC. All Rights Reserved.



Related Content