Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
- Film Editor Paul Machliss, ACE, on Baby Driver
- The Hamilton Mixtape: Immigrants (We Get the Job Done)
- Academy Names 774 New Members, Highlights Diversity Push
- Halon Entertainment Names Chris Ferriter CEO
- Portugal. The Man: Rich Friends
- This VR “Extravaganza” Is Immersive, but Highly Problematic
- Here’s What Avid Editors Really Want in Media Composer
- Computational Video Editing for Dialogue-Driven Scenes
- Google’s Upcoming VR180 Format: Is 180 the New 360?
- Blackmagic Releases Camera Control App for iPad
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- How They Did It: Marvel Studios' ACES Workflow for Guardians of the Galaxy Vol. 2
- Review: Blackmagic Design Ursa Mini Pro 4.6K
- Here's What Avid Editors Really Want in Media Composer
- Blackmagic Releases Camera Control App for iPad
- This VR "Extravaganza" Is Immersive, but Highly Problematic
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The Hamilton Mixtape: Immigrants (We Get the Job Done)
Jun 28, 2017
Lin-Manuel Miranda and Robert Rodriguez are among the executive producers of this music video from The Hamilton Mixtape, in...
Academy Names 774 New Members, Highlights Diversity Push
Jun 28, 2017
The Academy of Motion Picture Arts and Sciences (AMPAS) wants you to know it’s serious about increasing diversity in...
Halon Entertainment Names Chris Ferriter CEO
Jun 28, 2017
Halon Entertainment’s Chris Ferriter has been promoted to the position of CEO, replacing company founder Daniel Gregoire, who becomes...
Portugal. The Man: Rich Friends
Jun 27, 2017
An increasingly feverish landscape of pop-up ads tells the story of a relationship’s downward spiral in this music video....
This VR “Extravaganza” Is Immersive, but Highly Problematic
Jun 27, 2017
Imagine a puppet show — a really horrible puppet show that’s badly acted, offensive in pretty much every way...
Demolicious at NAB 2017: IKAN
May 4, 2017
StudioDaily’s Demolicious chats with IKAN Product Manager Barry Garcia on the NAB show floor.
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Here’s What Avid Editors Really Want in Media Composer
Jun 26, 2017
Avid has published the results from its first survey of the Avid Customer Association (ACA), which asked members to...
Computational Video Editing for Dialogue-Driven Scenes
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The move to nonlinear editors was a boon to efficiency in the cutting room, but how much more dramatically...
Google’s Upcoming VR180 Format: Is 180 the New 360?
Jun 23, 2017
Google’s VR division and YouTube have developed a new immersive-video format called VR180 — basically, a spherical video environment...
Demolicious at NAB 2017: ZeeVee
May 4, 2017
StudioDaily’s Demolicious interviews Chris Scurto, VP of sales and marketing at ZeeVee, on the NAB show floor.
Blackmagic Releases Camera Control App for iPad
Jun 23, 2017
Blackmagic Design updated the software for its Ursa line-up, enabling the camera’s Bluetooth module, and released Blackmagic Camera Control,...
Radiohead: Man of War
Jun 23, 2017
A constantly moving camera and precision cutting help place this new music video for a previously unreleased Radiohead song...
Canon Announces EOS C200 Camera, New Cinema Raw Light Format
May 31, 2017
Canon filled a gap in its EOS Digital Cinema line-up with today’s introduction of the EOS C200, which utilizes...
Review: Panasonic AG-UX180
May 25, 2017
Like any other business, the film and video trade is awash with fads and buzzwords. Who can’t recall the...
DP Jim Frohna on I Love Dick
May 19, 2017
The double entendre implicit in new Amazon series I Love Dick is itself a kind of mirror. Look quickly...
Director Steve James on Abacus: Small Enough to Jail
May 17, 2017
Since making his mark as one of the directors of the landmark documentary Hoop Dreams, Steve James has built...
This VR “Extravaganza” Is Immersive, but Highly Problematic
Jun 27, 2017
Imagine a puppet show — a really horrible puppet show that’s badly acted, offensive in pretty much every way...
VFX Supervisor Charley Henley on updating Aliens for Alien: Covenant
Jun 1, 2017
When he first sat down with director Ridley Scott to discuss planning visual effects for Alien: Covenant, VFX supervisor Charley...
How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud
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Shortly after releasing its first storage appliances back in 2009, Avere Systems products caught on with visual effects facilities,...
Luma on Guardians of the Galaxy Vol. 2‘s Golden Environments — and Adam Warlock’s Cocoon Cameo
May 18, 2017
Ever marvel at the amount of effort that goes into those post-credits codas for Marvel movies? The biggest reveal...
Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
Here’s What Avid Editors Really Want in Media Composer
Jun 26, 2017
Avid has published the results from its first survey of the Avid Customer Association (ACA), which asked members to...
Latest Adobe Premiere Pro CC Update Fixes Media Cache Issues, Adds Panasonic GH-5 10-Bit Support
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Adobe has issued another in a series of fixes to Premiere Pro CC’s media cache management features in the...
Adobe Adds New Essential Graphics Workflow to After Effects and Premiere
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Adobe updated its Creative Suite applications today with a workflow built around the new Essential Graphics panel in After...
Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
Avid Says Free Pro Tools First Offer Has Driven Subscriber Growth
Mar 23, 2017
Avid touted growth in enterprise users of its MediaCentral platform as well as individual subscribers as it reported its fourth-quarter...
Six Essential Boom Pole Positions
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Check your boom skills with this demonstration of a good half-dozen ways to handle a boom mic in order...
VR and 3D Sound with the Sennheiser Ambeo Microphone (Tutorial)
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B&H and Sennheiser walk through the production and post workflow associated with Sennheiser's new four-capsule mic for spherical audio capture.
How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2
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How did Marvel Studios ensure that the amazing, eye-popping visuals created by Guardians of the Galaxy Vol. 2 director...
NYC’s Harbor Picture Company on Coast-to-Coast 35mm Workflow for Todd Haynes’ Wonderstruck
May 30, 2017
New York’s Harbor Picture Company recently finished dailies and post-production on Wonderstruck, the new film from director Todd Haynes...
Worldwide Workflow: Post-Production on The Young Pope
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Add widely lauded director Paolo Sorrentino (The Great Beauty, Youth), who has had six films in competition at the Cannes Film...
Foundry Unveils Elara, Cloud-Based ‘Virtual Studio in a Box’
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Foundry plans a summer launch of a beta version of Elara, a new cloud-based platform for post-production that combines...
Facilis Ships New TerraBlock Version, Including Performance-Enhancing Hub Servers
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EVS Adopts Harmonic MediaGrid for XStore Nearline Storage Systems
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How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud
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EditShare Upgrades Entry-Level and Mid-Range Systems to EFS Platform
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EditShare announced the XStream EFS 200 and XStream EFS 300, new storage products based on the EditShare File System...
EVS Adopts Harmonic MediaGrid for XStore Nearline Storage Systems
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Harmonic has signed an OEM deal with live video system provider EVS under which EVS will employ the Harmonic...
Imagine Communications Announces Software-Only Version of Selenio One Transcoder
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Imagine Communications announced Selenio One XC, a software-only version of its compression platform ...
Worldwide Workflow: Post-Production on The Young Pope
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A CG character is a tall order for television, no matter what the context is. Sure, Game of Thrones has...
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- Film Editor Paul Machliss, ACE, on Baby Driver
- The Hamilton Mixtape: Immigrants (We Get the Job Done)
- Academy Names 774 New Members, Highlights Diversity Push
- Halon Entertainment Names Chris Ferriter CEO
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- Here’s What Avid Editors Really Want in Media Composer