Trailer: Ready Player One
Jul 25, 2017
Looks like director Steven Spielberg, cinematographer Janusz Kamiński and editor Michael Kahn are following up this year’s forthcoming historical drama The Papers...
- Trailer: Ready Player One
- Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
- Apple: The Rock x Siri Dominate the Day
- How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
- Toronto’s Tendril Prepared for the Demands of American Gods with a New GPU Render Farm
- ProDAD Ports Mercalli Video Stabilizer to Mac OS
- Cut & Shut
- Safely Home #ItCanWait PSA
- Q&A: Alchemy Post Sound Lead Foley Artist Leslie Bloome
- First AC Bob Hall on the Camera and Lensing Challenges of Dunkirk
- First AC Bob Hall on the Camera and Lensing Challenges of Dunkirk
- Film Editor Paul Machliss, ACE, on Baby Driver
- Mettle Readies Mantra VR for SIGGRAPH Debut
- Color Grading for a Cinematic Film Look in Adobe Premiere Pro [Tutorial]
- Review: Blackmagic Design Ursa Mini Pro 4.6K
- Editors Dean Zimmerman and Kevin Ross on Stranger Things
- SIGGRAPH 2017 Emerging Technologies: What's Waiting in the Wings?
- ProDAD Ports Mercalli Video Stabilizer to Mac OS
- Q&A: Alchemy Post Sound Lead Foley Artist Leslie Bloome
- How They Did It: Marvel Studios' ACES Workflow for Guardians of the Galaxy Vol. 2
Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
Jul 25, 2017
The new Netflix hit series GLOW straddles a fine visual line. The show’s hook is a promotional gimmick dating...
Apple: The Rock x Siri Dominate the Day
Jul 24, 2017
Apple hired Dwayne Johnson to put its Siri voice-activated assistant back in the spotlight on a quick trip around...
How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
Jul 24, 2017
Al Berman is no stranger to live television. An Emmy-winning veteran news producer for CBS Evening News, 48 Hours...
Toronto’s Tendril Prepared for the Demands of American Gods with a New GPU Render Farm
Jul 21, 2017
Toronto animation and design studio Tendril revamped its pipeline in preparation to deliver the striking animated segment that opened...
ProDAD Ports Mercalli Video Stabilizer to Mac OS
Jul 21, 2017
ProDAD has released Mercalli SAL Mac, a new 64-bit Mac OS application that brings the Mercalli image-stabilization engine to...
Demolicious at NAB 2017: IKAN
May 4, 2017
StudioDaily’s Demolicious chats with IKAN Product Manager Barry Garcia on the NAB show floor.
Sponsored Content
Cut & Shut
Jul 21, 2017
Motor into your weekend with this loving but, well, odd homage to the classic designs of the Volkswagen from designer...
Safely Home #ItCanWait PSA
Jul 20, 2017
The stakes are upped really quickly in this #itcanwait PSA about the dangerous distraction of texting that goes from...
Q&A: Alchemy Post Sound Lead Foley Artist Leslie Bloome
Jul 20, 2017
You have to get away from it all to visit Alchemy Post Sound. The independent Foley, ADR and music...
Demolicious at NAB 2017: ZeeVee
May 4, 2017
StudioDaily’s Demolicious interviews Chris Scurto, VP of sales and marketing at ZeeVee, on the NAB show floor.
First AC Bob Hall on the Camera and Lensing Challenges of Dunkirk
Jul 19, 2017
First assistant cameraman Bob Hall, who recently spoke with StudioDaily for the Podcasts from the Front Lines series, certainly...
Schlieren Optics
Jul 19, 2017
See air in a new way with this demonstration of Schlieren videography, which renders tiny changes in the index of refraction...
How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
Jul 24, 2017
Al Berman is no stranger to live television. An Emmy-winning veteran news producer for CBS Evening News, 48 Hours...
First AC Bob Hall on the Camera and Lensing Challenges of Dunkirk
Jul 19, 2017
First assistant cameraman Bob Hall, who recently spoke with StudioDaily for the Podcasts from the Front Lines series, certainly...
Review: Blackmagic Design ATEM Television Studio HD
Jul 11, 2017
About seven years ago, I reviewed Blackmagic Design’s (BMD) ATEM Television Studio for another publication. What it could do...
Shooting Blood Road in Vietnam, Cambodia and Laos in 6K with the Red Weapon and Epic
Jul 6, 2017
Blood Road details the extraordinary journey of ultra-endurance mountain biker Rebecca Rusch as she and her Vietnamese riding partner...
This VR “Extravaganza” Is Immersive, but Highly Problematic
Jun 27, 2017
Imagine a puppet show — a really horrible puppet show that’s badly acted, offensive in pretty much every way...
VFX Supervisor Charley Henley on updating Aliens for Alien: Covenant
Jun 1, 2017
When he first sat down with director Ridley Scott to discuss planning visual effects for Alien: Covenant, VFX supervisor Charley...
How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud
May 24, 2017
Shortly after releasing its first storage appliances back in 2009, Avere Systems products caught on with visual effects facilities,...
Luma on Guardians of the Galaxy Vol. 2‘s Golden Environments — and Adam Warlock’s Cocoon Cameo
May 18, 2017
Ever marvel at the amount of effort that goes into those post-credits codas for Marvel movies? The biggest reveal...
Editors Dean Zimmerman and Kevin Ross on Stranger Things
Jun 30, 2017
Stranger Things, Matt and Ross Duffer’s intoxicating homage to supernatural thrillers from the 1980s, is a master class in...
Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
Here’s What Avid Editors Really Want in Media Composer
Jun 26, 2017
Avid has published the results from its first survey of the Avid Customer Association (ACA), which asked members to...
Latest Adobe Premiere Pro CC Update Fixes Media Cache Issues, Adds Panasonic GH-5 10-Bit Support
Jun 15, 2017
Adobe has issued another in a series of fixes to Premiere Pro CC’s media cache management features in the...
Q&A: Alchemy Post Sound Lead Foley Artist Leslie Bloome
Jul 20, 2017
You have to get away from it all to visit Alchemy Post Sound. The independent Foley, ADR and music...
Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
Avid Says Free Pro Tools First Offer Has Driven Subscriber Growth
Mar 23, 2017
Avid touted growth in enterprise users of its MediaCentral platform as well as individual subscribers as it reported its fourth-quarter...
Six Essential Boom Pole Positions
Mar 9, 2017
Check your boom skills with this demonstration of a good half-dozen ways to handle a boom mic in order...
How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2
Jun 6, 2017
How did Marvel Studios ensure that the amazing, eye-popping visuals created by Guardians of the Galaxy Vol. 2 director...
NYC’s Harbor Picture Company on Coast-to-Coast 35mm Workflow for Todd Haynes’ Wonderstruck
May 30, 2017
New York’s Harbor Picture Company recently finished dailies and post-production on Wonderstruck, the new film from director Todd Haynes...
Worldwide Workflow: Post-Production on The Young Pope
May 15, 2017
Add widely lauded director Paolo Sorrentino (The Great Beauty, Youth), who has had six films in competition at the Cannes Film...
Foundry Unveils Elara, Cloud-Based ‘Virtual Studio in a Box’
Apr 28, 2017
Foundry plans a summer launch of a beta version of Elara, a new cloud-based platform for post-production that combines...
Facilis Ships New TerraBlock Version, Including Performance-Enhancing Hub Servers
Jun 19, 2017
Facilis said it has begun shipping TerraBlock Version 7, the latest version of its shared-storage system for content creation....
EVS Adopts Harmonic MediaGrid for XStore Nearline Storage Systems
Jun 6, 2017
Harmonic has signed an OEM deal with live video system provider EVS under which EVS will employ the Harmonic...
How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud
May 24, 2017
Shortly after releasing its first storage appliances back in 2009, Avere Systems products caught on with visual effects facilities,...
EditShare Upgrades Entry-Level and Mid-Range Systems to EFS Platform
Apr 17, 2017
EditShare announced the XStream EFS 200 and XStream EFS 300, new storage products based on the EditShare File System...
How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
Jul 24, 2017
Al Berman is no stranger to live television. An Emmy-winning veteran news producer for CBS Evening News, 48 Hours...
Review: Blackmagic Design ATEM Television Studio HD
Jul 11, 2017
About seven years ago, I reviewed Blackmagic Design’s (BMD) ATEM Television Studio for another publication. What it could do...
Euromedia Upgrades Two OB Trucks for UHD as European Demand Increases
Jul 10, 2017
Euromedia has upgraded two of its OB trucks to add 4K UHD production capabilities. Euromedia’s A21 truck was upgraded...
EVS Adopts Harmonic MediaGrid for XStore Nearline Storage Systems
Jun 6, 2017
Harmonic has signed an OEM deal with live video system provider EVS under which EVS will employ the Harmonic...
Recent
- Trailer: Ready Player One
- Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
- Apple: The Rock x Siri Dominate the Day
- How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
- Toronto’s Tendril Prepared for the Demands of American Gods with a New GPU Render Farm
- ProDAD Ports Mercalli Video Stabilizer to Mac OS
- Cut & Shut
