How a Recording-Studio Mishap Shaped ’80s Music
Aug 18, 2017
Can you feel it comin’ in the air tonight? Vox videographer Estelle Caswell dives into reverb, explaining the audio...
- How a Recording-Studio Mishap Shaped ’80s Music
- Cinematographer Paul Cameron, ASC, on Shooting Westworld‘s Pilot on Film
- Opening Animation: Les Nuits de la Photographie
- Chasing Eclipse 2017 with The Weather Channel and NewTek’s NDI Technology
- Co-Editors Billy Goldenberg, ACE, and Harry Yoon on Detroit
- Wolf Alice: Don’t Delete the Kisses
- Prime Focus Says Current and Former Staff Leaked Game of Thrones Episode
- Go See This Eclipse
- Sonnet Ships Thunderbolt 3 eGFX GPU Expansion Chassis
- Brooklyn’s Tinygiant Promotes Ella Nuortila to Executive Producer
- Deluxe Names Walter Schonfeld President, Deluxe Distribution
- Color Grading for a Cinematic Film Look in Adobe Premiere Pro [Tutorial]
- Chasing Eclipse 2017 with The Weather Channel and NewTek's NDI Technology
- Prime Focus Says Current and Former Staff Leaked Game of Thrones Episode
- Dustin Kaufman, Promoted to Editor at Cutters, Heads to Kansas City
- First AC Bob Hall on the Camera and Lensing Challenges of Dunkirk
- Co-Editors Billy Goldenberg, ACE, and Harry Yoon on Detroit
- Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
- Review: Blackmagic Design Ursa Mini Pro 4.6K
- Cinematographer Paul Cameron, ASC, on Shooting Westworld's Pilot on Film
Cinematographer Paul Cameron, ASC, on Shooting Westworld‘s Pilot on Film
Aug 18, 2017
Director of photography Paul Cameron, ASC, has amassed some memorable cinematic credits, from the early Gone in Sixty Seconds remake...
Opening Animation: Les Nuits de la Photographie
Aug 17, 2017
Director Ugo Bienvenu and graphic designer Christian Debbane translate stills into motion in this opening animation for Les Nuits...
Chasing Eclipse 2017 with The Weather Channel and NewTek’s NDI Technology
Aug 17, 2017
When the coming solar eclipse blots out the sun on Monday, August 21, The Weather Channel will be there...
Co-Editors Billy Goldenberg, ACE, and Harry Yoon on Detroit
Aug 16, 2017
Kathryn Bigelow’s new film, Detroit, dramatizes one of the most violent and least-known racially charged police brutality confrontations of...
Wolf Alice: Don’t Delete the Kisses
Aug 16, 2017
Prolific award-winning music video director Sophie Muller brings her usual keen photographic eye to this love story set entirely...
Demolicious at NAB 2017: IKAN
May 4, 2017
StudioDaily’s Demolicious chats with IKAN Product Manager Barry Garcia on the NAB show floor.
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Prime Focus Says Current and Former Staff Leaked Game of Thrones Episode
Aug 16, 2017
Prime Focus Technologies (PFT) said “current and former employees,” not hackers, were responsible for the online appearance of an...
Sonnet Ships Thunderbolt 3 eGFX GPU Expansion Chassis
Aug 15, 2017
Sonnet Technologies said it began shipping its eGFX Breakaway Box, including a 350-watt power supply, for connecting compatible PCIe...
Brooklyn’s Tinygiant Promotes Ella Nuortila to Executive Producer
Aug 15, 2017
Brooklyn production company Tinygiant promoted Ella Nuortila from producer to executive producer. Before joining Tinygiant, Nuortila worked at documentary...
Demolicious at NAB 2017: ZeeVee
May 4, 2017
StudioDaily’s Demolicious interviews Chris Scurto, VP of sales and marketing at ZeeVee, on the NAB show floor.
DJI Says It’s Working on Private Data Mode After U.S. Army Grounds Flights
Aug 15, 2017
Drone maker DJI said it is developing a “local data mode” that prevents its flight-control apps from transmitting or...
How to Make a Blockbuster Movie Trailer
Aug 14, 2017
Yep — from the single note to the “true booj,” that’s just about everything you need to know.
How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
Jul 24, 2017
Al Berman is no stranger to live television. An Emmy-winning veteran news producer for CBS Evening News, 48 Hours...
First AC Bob Hall on the Camera and Lensing Challenges of Dunkirk
Jul 19, 2017
First assistant cameraman Bob Hall, who recently spoke with StudioDaily for the Podcasts from the Front Lines series, certainly...
Review: Blackmagic Design ATEM Television Studio HD
Jul 11, 2017
About seven years ago, I reviewed Blackmagic Design’s (BMD) ATEM Television Studio for another publication. What it could do...
Shooting Blood Road in Vietnam, Cambodia and Laos in 6K with the Red Weapon and Epic
Jul 6, 2017
Blood Road details the extraordinary journey of ultra-endurance mountain biker Rebecca Rusch as she and her Vietnamese riding partner...
This VR “Extravaganza” Is Immersive, but Highly Problematic
Jun 27, 2017
Imagine a puppet show — a really horrible puppet show that’s badly acted, offensive in pretty much every way...
VFX Supervisor Charley Henley on updating Aliens for Alien: Covenant
Jun 1, 2017
When he first sat down with director Ridley Scott to discuss planning visual effects for Alien: Covenant, VFX supervisor Charley...
How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud
May 24, 2017
Shortly after releasing its first storage appliances back in 2009, Avere Systems products caught on with visual effects facilities,...
Luma on Guardians of the Galaxy Vol. 2‘s Golden Environments — and Adam Warlock’s Cocoon Cameo
May 18, 2017
Ever marvel at the amount of effort that goes into those post-credits codas for Marvel movies? The biggest reveal...
Co-Editors Billy Goldenberg, ACE, and Harry Yoon on Detroit
Aug 16, 2017
Kathryn Bigelow’s new film, Detroit, dramatizes one of the most violent and least-known racially charged police brutality confrontations of...
Editors Dean Zimmerman and Kevin Ross on Stranger Things
Jun 30, 2017
Stranger Things, Matt and Ross Duffer’s intoxicating homage to supernatural thrillers from the 1980s, is a master class in...
Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
Here’s What Avid Editors Really Want in Media Composer
Jun 26, 2017
Avid has published the results from its first survey of the Avid Customer Association (ACA), which asked members to...
Q&A: Alchemy Post Sound Lead Foley Artist Leslie Bloome
Jul 20, 2017
You have to get away from it all to visit Alchemy Post Sound. The independent Foley, ADR and music...
Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
Avid Says Free Pro Tools First Offer Has Driven Subscriber Growth
Mar 23, 2017
Avid touted growth in enterprise users of its MediaCentral platform as well as individual subscribers as it reported its fourth-quarter...
Six Essential Boom Pole Positions
Mar 9, 2017
Check your boom skills with this demonstration of a good half-dozen ways to handle a boom mic in order...
How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2
Jun 6, 2017
How did Marvel Studios ensure that the amazing, eye-popping visuals created by Guardians of the Galaxy Vol. 2 director...
NYC’s Harbor Picture Company on Coast-to-Coast 35mm Workflow for Todd Haynes’ Wonderstruck
May 30, 2017
New York’s Harbor Picture Company recently finished dailies and post-production on Wonderstruck, the new film from director Todd Haynes...
Worldwide Workflow: Post-Production on The Young Pope
May 15, 2017
Add widely lauded director Paolo Sorrentino (The Great Beauty, Youth), who has had six films in competition at the Cannes Film...
Foundry Unveils Elara, Cloud-Based ‘Virtual Studio in a Box’
Apr 28, 2017
Foundry plans a summer launch of a beta version of Elara, a new cloud-based platform for post-production that combines...
Facilis Ships New TerraBlock Version, Including Performance-Enhancing Hub Servers
Jun 19, 2017
Facilis said it has begun shipping TerraBlock Version 7, the latest version of its shared-storage system for content creation....
EVS Adopts Harmonic MediaGrid for XStore Nearline Storage Systems
Jun 6, 2017
Harmonic has signed an OEM deal with live video system provider EVS under which EVS will employ the Harmonic...
How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud
May 24, 2017
Shortly after releasing its first storage appliances back in 2009, Avere Systems products caught on with visual effects facilities,...
EditShare Upgrades Entry-Level and Mid-Range Systems to EFS Platform
Apr 17, 2017
EditShare announced the XStream EFS 200 and XStream EFS 300, new storage products based on the EditShare File System...
Chasing Eclipse 2017 with The Weather Channel and NewTek’s NDI Technology
Aug 17, 2017
When the coming solar eclipse blots out the sun on Monday, August 21, The Weather Channel will be there...
FOR-A Ships HVS-490 UHD Switcher
Jul 28, 2017
FOR-A began shipping its newest Hanabi switcher, the compact HVS-490, with integrated frame synchronizers and multiviewers aimed at mobile...
How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
Jul 24, 2017
Al Berman is no stranger to live television. An Emmy-winning veteran news producer for CBS Evening News, 48 Hours...
Review: Blackmagic Design ATEM Television Studio HD
Jul 11, 2017
About seven years ago, I reviewed Blackmagic Design’s (BMD) ATEM Television Studio for another publication. What it could do...
Recent
- How a Recording-Studio Mishap Shaped ’80s Music
- Cinematographer Paul Cameron, ASC, on Shooting Westworld‘s Pilot on Film
- Opening Animation: Les Nuits de la Photographie
- Chasing Eclipse 2017 with The Weather Channel and NewTek’s NDI Technology
- Co-Editors Billy Goldenberg, ACE, and Harry Yoon on Detroit
- Wolf Alice: Don’t Delete the Kisses
- Prime Focus Says Current and Former Staff Leaked Game of Thrones Episode
