FOR-A Ships HVS-490 UHD Switcher
Jul 28, 2017
FOR-A began shipping its newest Hanabi switcher, the compact HVS-490, with integrated frame synchronizers and multiviewers aimed at mobile...
- FOR-A Ships HVS-490 UHD Switcher
- α7S II into Outer Space: U.S. East Coast by Night
- Cospective Updates CineSync to 64-Bit Code, Adds NIM Integration and More in Version 4.1
- SIGGRAPH 2017 Computer Animation Festival Trailer
- Ftrack Adds Capabilities, Spins Off Streamlined Review-and-Approval Tool
- Nvidia Iray, Allegorithmic Substance Designer Now Support X-Rite’s AxF Format
- Epic Games Sets First Unreal Engine User Group Party for SIGGRAPH
- Pluralsight to Expand VR-Related Training as SIGGRAPH Opens
- Christie Provides Projection Technology to SIGGRAPH
- Trailer: Ready Player One
- First AC Bob Hall on the Camera and Lensing Challenges of Dunkirk
- Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
- Film Editor Paul Machliss, ACE, on Baby Driver
- Color Grading for a Cinematic Film Look in Adobe Premiere Pro [Tutorial]
- How Canon's Low-Light 'MoonCam' Saw into the Shadows for Nat Geo’s Earth Live
- Review: Blackmagic Design Ursa Mini Pro 4.6K
- How They Did It: Marvel Studios' ACES Workflow for Guardians of the Galaxy Vol. 2
- Mettle Readies Mantra VR for SIGGRAPH Debut
- Nvidia Iray, Allegorithmic Substance Designer Now Support X-Rite's AxF Format
- ProDAD Ports Mercalli Video Stabilizer to Mac OS
α7S II into Outer Space: U.S. East Coast by Night
Jul 27, 2017
Sony’s mirrorless α7S II, renowned as a low-light marvel, is mounted on the outside of the International Space Station’s Japanese...
Cospective Updates CineSync to 64-Bit Code, Adds NIM Integration and More in Version 4.1
Jul 27, 2017
Cospective has released a new version of CineSync that adds integration with NIM Labs studio management software and Aspera...
SIGGRAPH 2017 Computer Animation Festival Trailer
Jul 26, 2017
Bunnies! Bugs! Pirates! Aliens of all shapes and sizes! Preview the SIGGRAPH 2017 Computer Animation Festival with this trailer...
Ftrack Adds Capabilities, Spins Off Streamlined Review-and-Approval Tool
Jul 26, 2017
Ftrack is revamping its project-management system, renaming the software Ftrack Studio and adding improved planning features like a Studio...
Nvidia Iray, Allegorithmic Substance Designer Now Support X-Rite’s AxF Format
Jul 26, 2017
It just became a little easier for users of the Nvidia Iray renderer and Allegorithmic Substance Designer to translate...
Demolicious at NAB 2017: IKAN
May 4, 2017
StudioDaily’s Demolicious chats with IKAN Product Manager Barry Garcia on the NAB show floor.
Sponsored Content
Epic Games Sets First Unreal Engine User Group Party for SIGGRAPH
Jul 26, 2017
Epic Games is using SIGGRAPH 2017 as a launch pad for the first Unreal Engine User Group and party....
Pluralsight to Expand VR-Related Training as SIGGRAPH Opens
Jul 26, 2017
At SIGGRAPH next week, online training company Pluralsight plans to promote expansions to its VR offerings. The company said demand is...
Christie Provides Projection Technology to SIGGRAPH
Jul 26, 2017
Curious about the display technology behind SIGGRAPH sessions? As usual, presentations at this year’s event will be displayed using...
Demolicious at NAB 2017: ZeeVee
May 4, 2017
StudioDaily’s Demolicious interviews Chris Scurto, VP of sales and marketing at ZeeVee, on the NAB show floor.
Trailer: Ready Player One
Jul 25, 2017
Looks like director Steven Spielberg, cinematographer Janusz Kamiński and editor Michael Kahn are following up this year’s forthcoming historical drama The Papers...
Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR
Jul 25, 2017
The new Netflix hit series GLOW straddles a fine visual line. The show’s hook is a promotional gimmick dating...
How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
Jul 24, 2017
Al Berman is no stranger to live television. An Emmy-winning veteran news producer for CBS Evening News, 48 Hours...
First AC Bob Hall on the Camera and Lensing Challenges of Dunkirk
Jul 19, 2017
First assistant cameraman Bob Hall, who recently spoke with StudioDaily for the Podcasts from the Front Lines series, certainly...
Review: Blackmagic Design ATEM Television Studio HD
Jul 11, 2017
About seven years ago, I reviewed Blackmagic Design’s (BMD) ATEM Television Studio for another publication. What it could do...
Shooting Blood Road in Vietnam, Cambodia and Laos in 6K with the Red Weapon and Epic
Jul 6, 2017
Blood Road details the extraordinary journey of ultra-endurance mountain biker Rebecca Rusch as she and her Vietnamese riding partner...
This VR “Extravaganza” Is Immersive, but Highly Problematic
Jun 27, 2017
Imagine a puppet show — a really horrible puppet show that’s badly acted, offensive in pretty much every way...
VFX Supervisor Charley Henley on updating Aliens for Alien: Covenant
Jun 1, 2017
When he first sat down with director Ridley Scott to discuss planning visual effects for Alien: Covenant, VFX supervisor Charley...
How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud
May 24, 2017
Shortly after releasing its first storage appliances back in 2009, Avere Systems products caught on with visual effects facilities,...
Luma on Guardians of the Galaxy Vol. 2‘s Golden Environments — and Adam Warlock’s Cocoon Cameo
May 18, 2017
Ever marvel at the amount of effort that goes into those post-credits codas for Marvel movies? The biggest reveal...
Editors Dean Zimmerman and Kevin Ross on Stranger Things
Jun 30, 2017
Stranger Things, Matt and Ross Duffer’s intoxicating homage to supernatural thrillers from the 1980s, is a master class in...
Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
Here’s What Avid Editors Really Want in Media Composer
Jun 26, 2017
Avid has published the results from its first survey of the Avid Customer Association (ACA), which asked members to...
Latest Adobe Premiere Pro CC Update Fixes Media Cache Issues, Adds Panasonic GH-5 10-Bit Support
Jun 15, 2017
Adobe has issued another in a series of fixes to Premiere Pro CC’s media cache management features in the...
Q&A: Alchemy Post Sound Lead Foley Artist Leslie Bloome
Jul 20, 2017
You have to get away from it all to visit Alchemy Post Sound. The independent Foley, ADR and music...
Film Editor Paul Machliss, ACE, on Baby Driver
Jun 28, 2017
Director Edgar Wright’s new Baby Driver brings a passion and intensity to the car chase that hasn’t been much in...
Avid Says Free Pro Tools First Offer Has Driven Subscriber Growth
Mar 23, 2017
Avid touted growth in enterprise users of its MediaCentral platform as well as individual subscribers as it reported its fourth-quarter...
Six Essential Boom Pole Positions
Mar 9, 2017
Check your boom skills with this demonstration of a good half-dozen ways to handle a boom mic in order...
How They Did It: Marvel Studios’ ACES Workflow for Guardians of the Galaxy Vol. 2
Jun 6, 2017
How did Marvel Studios ensure that the amazing, eye-popping visuals created by Guardians of the Galaxy Vol. 2 director...
NYC’s Harbor Picture Company on Coast-to-Coast 35mm Workflow for Todd Haynes’ Wonderstruck
May 30, 2017
New York’s Harbor Picture Company recently finished dailies and post-production on Wonderstruck, the new film from director Todd Haynes...
Worldwide Workflow: Post-Production on The Young Pope
May 15, 2017
Add widely lauded director Paolo Sorrentino (The Great Beauty, Youth), who has had six films in competition at the Cannes Film...
Foundry Unveils Elara, Cloud-Based ‘Virtual Studio in a Box’
Apr 28, 2017
Foundry plans a summer launch of a beta version of Elara, a new cloud-based platform for post-production that combines...
Facilis Ships New TerraBlock Version, Including Performance-Enhancing Hub Servers
Jun 19, 2017
Facilis said it has begun shipping TerraBlock Version 7, the latest version of its shared-storage system for content creation....
EVS Adopts Harmonic MediaGrid for XStore Nearline Storage Systems
Jun 6, 2017
Harmonic has signed an OEM deal with live video system provider EVS under which EVS will employ the Harmonic...
How Avere Systems Helps VFX Scale Up Render Farms on Premise and in the Cloud
May 24, 2017
Shortly after releasing its first storage appliances back in 2009, Avere Systems products caught on with visual effects facilities,...
EditShare Upgrades Entry-Level and Mid-Range Systems to EFS Platform
Apr 17, 2017
EditShare announced the XStream EFS 200 and XStream EFS 300, new storage products based on the EditShare File System...
FOR-A Ships HVS-490 UHD Switcher
Jul 28, 2017
FOR-A began shipping its newest Hanabi switcher, the compact HVS-490, with integrated frame synchronizers and multiviewers aimed at mobile...
How Canon’s Low-Light ‘MoonCam’ Saw into the Shadows for Nat Geo’s Earth Live
Jul 24, 2017
Al Berman is no stranger to live television. An Emmy-winning veteran news producer for CBS Evening News, 48 Hours...
Review: Blackmagic Design ATEM Television Studio HD
Jul 11, 2017
About seven years ago, I reviewed Blackmagic Design’s (BMD) ATEM Television Studio for another publication. What it could do...
Euromedia Upgrades Two OB Trucks for UHD as European Demand Increases
Jul 10, 2017
Euromedia has upgraded two of its OB trucks to add 4K UHD production capabilities. Euromedia’s A21 truck was upgraded...
Recent
- FOR-A Ships HVS-490 UHD Switcher
- α7S II into Outer Space: U.S. East Coast by Night
- Cospective Updates CineSync to 64-Bit Code, Adds NIM Integration and More in Version 4.1
- SIGGRAPH 2017 Computer Animation Festival Trailer
- Ftrack Adds Capabilities, Spins Off Streamlined Review-and-Approval Tool
- Nvidia Iray, Allegorithmic Substance Designer Now Support X-Rite’s AxF Format
- Epic Games Sets First Unreal Engine User Group Party for SIGGRAPH
