2012: Painting the Apocalypse

  

Question: Is Google-fu powerful enough to make a success story out of WebM, a new, open-source video format for rich-media web delivery? Answer: It’s complicated.

The popular video-sharing site Vimeo announced this week that it was revamping its playback for better compatibility with mobile devices that don’t support Flash video. Basically, that means the iPhone and the iPad. Vimeo will automatically serve a different version of the video player — Flash or HTML5 — depending on the environment it’s being viewed in. (There’s a clear explanation of how this works at the Vimeo Staff Blog.)

That’s great news for content creators who use Vimeo to distribute their video online. But publishers and web developers are finding the environment for online video delivery is far from settled. Apple claims to have plenty of good reasons not to support Flash in its iOS operating system, ranging from battery consumption on mobile devices to a reluctance to let Adobe become a middleman between Apple and its application developers.

Read more at the StudioDaily blog.

Trailer for The Social Network
Movie Trailer: The Social Network

Whoever is ultimately responsible for this new trailer promoting David Fincher project The Social Network is almost certainly not getting paid enough — unless, perhaps, it’s Fincher himself. Generating a sudden wave of positive Internet buzz for a movie that had previously been considered something of a question mark, this piece works on its own not just as an advertisement for Fincher's movie but as a standalone short, scored to a choral version of Radiohead's first single, that considers the nature of identity, online and off.

 
 
2012: Painting the Apocalypse

2012: Painting the Apocalypse

Cinema 4D maker Maxon and writer Meleah Maynard offered Film & Video a look at some of the strangely beautiful matte-painting work that went into 2012's apocalyptic landscapes.
Multiple-Choice Mocap at SIGGRAPH

Multiple-Choice Mocap at SIGGRAPH

For anyone contemplating bringing motion-capture capabilities in house, SIGGRAPH 2010 was a great opportunity to compare and contrast the latest mocap solutions.
Editing Inception

Editing Inception for a Photochemical Finish

You never go onto a Chris Nolan film thinking, ‘Well, this one will be easy,’ says John Lee, additional editor on Christopher Nolan’s Inception.
Posting Predators at Troublemaker Studios

Posting Predators
at Troublemaker Studios

Editor Dan Zimmerman and re-recording mixer/dialogue editor Brad Engleking on Robert Rodriguez’s mantra — filmmaking takes place “at the speed of thought.”
Field-Testing the Panasonic AG-3DA1 3D Camcorder

Field-Testing the Panasonic
AG-3DA1 3D Camcorder

“I’ve got this camera, and I’m in places that are outrageous for a 3D rig ... and the images are spectacular.

 
focus
What movie had VFX scenes so big they generated ROUNDING ERRORS? What are the biggest adjustments when a FILM DP SHOOTS HD FOR TV? And what's a $10,000 HORROR MOVIE look like?

latest video
Nicktoons IDs

The typical viewer of Nicktoons is a 12-year-old boy in couch-potato mode. How do you get them excited about your programming?


MacArthur Chair in Digital Media and Learning - University of California, Los Angeles - Los Angeles, CA University of California, Los Angeles
Part Time - Digital Filmmaking/Video Production Faculty - The Art Institutes - Atlanta, GA The Art Institutes
Manager, Video Production - Rite Aid - Camp Hill, PA Rite Aid
Pro Sports - Lightning Vision Production Trainee - Video Editor - Pro Sports - Tampa, FL Pro Sports
VIDEO SPECIALIST - Benton Harbor, MI 
Video Editor, Production, - oDesk - Redlands, CA oDesk
Communications: Senior Producer - Video Production - JCPenney - TX JCPenney
Video Editor - NCsoft Corporation - Seattle, WA NCsoft Corporation




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