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| 08|01|2008 |
Robert W. Walker and Mo FitzgibbonWe were hired to shoot three television commercials in one day on greenscreen. Due to the time constraints, we wanted to be able to do live greenscreen with the modeled set built in After Effects and capture all the footage seamlessly during the shoot.... »
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| 04|04|2008 |
Matt ArmstrongAt the AlphaDogs Editors' Lounge Red's "Leader of the Rebellion" Ted Schilowitz demonstrated the Red Camera workflow with Apple Final Cut Pro. ... »
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| 04|01|2008 |
Manfred ReiffThe idea of the New York Times creative team was to create artist’s portraits influenced by Andy Warhol’s "Screen Tests" of the mid-1960s.... »
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| 03|01|2008 |
There are three ways to move footage from the Sony PMW-EX1 camcorder to Final Cut Pro. Deciding which method to use depends on your equipment and desired file format.... »
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| 02|01|2008 |
Will HollowayWith 4 or 5 bucks worth of parts, a few simple tools and about 30 minutes of effort, you can easily make a trio of snowshoes for your tripod.... »
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| 02|01|2007 |
The new Edirol R-4 Pro portable audio recorder lets us record four channels of high-quality, 16-bit 48kHz digital audio through individual timecode in and out terminals on the recorder and a camera. ... »
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| 07|01|2006 |
By Bruce A. JohnsonGetting precise focus has always been a bit of an issue with the XL series, and now that it's shooting HDV it has lots of company. To try and alleviate this pain, Canon has finally added something I wish the XL series had from the start, a peaking button.... »
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| 05|01|2006 |
By Barry GreenOne thing the Panasonic AG-HVX200 brings to the table is instant access
to footage. You can really cut down on your editing time if you take a
few specific, simple steps... »
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| 02|01|2006 |
One of the fascinating and unique features of the new Panasonic
AG-HVX200 is its ability to shoot with true variable frame rates.... »
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| 01|01|2006 |
The product shot is typically the last shot of the day, when everyone’s tired and wants to go home. This method, which uses only one light, will help you do it quickly and easily.... »
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| 11|01|2005 |
The JVC GY-HD100U ProHD camera features interchangeable lenses. You can decide what glass to use for the look you want.... »
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| 09|01|2005 |
Step 1 Carry the right mic kit Your mic kit should consist of at least one good omni-directional lavalier mic. My favorites are the Audio-Technica AT892, Sony ECM-55, or Countryman B3. All are very small, easy... »
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| 03|01|2005 |
Step 1 Set up the main light source The key light is the main source used to light the subject. Its direction and ratio to other light used establishes the mood of the illumination. An Arri 650-watt fresnel is... »
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| 02|01|2005 |
Step 1 Check white balance Make sure the camera already has a good white balance. Step 2 Set proper exposure Check the proper exposure for the starting angle and the finishing angle and compare the number of... »
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| 01|01|2005 |
Step 1 Coaxing slo-mo out of video Film and video approach slow motion very differently. Film sets the "gold standard" for exquisite slow motion—film cameras shoot more frames per second, then play... »
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